Julia Perry Alum Spotlight Interview: RADA

We had a chance to catch up with PAA alum Julia Perry, and she offered us some insight about her experience on our RADA program!

1. What skills did you pick up that most helped you professionally?

The skills I picked up that helped me the most were most definitely those I developed when I was thrown into living and studying with a completely new group of people. Not only was it my first time living on my own, but it was my first time living in another country, and so immediately we all learned how to live and function as a little family. Additionally, I learned how to navigate and stay focused during a long school day! Although the classes are quite enjoyable, they are very long days, and so I learned how to stay energized and focused through long classroom days!

2. What is your fondest memory from RADA?

My fondest memory by far is the last day of classes. Doing our mini performance we weren’t focused on anything but doing our best and having fun, and without a doubt, I look back on that and smile because it was simply a wonderful day.

3. What impressed you the most about the program?

What impressed me most about the program was how knowledgeable the professors were on Shakespeare. Every question we had was answered intelligently and in a way that we could understand, making learning about Shakespeare not only easy, but truly fun.

4. What advice would you give to someone going on the program this summer?

Go with an open mind! Be ready to learn and work hard, but also have a lot of fun. My days were filled with text break downs and dance classes, and my nights were filled with delicious dinners!

PAA RADA Shakespeare Acting Intensive

Amy Abrigo did our RADA “Shakespeare at Large” Summer Acting Intensive last summer, 2016. We caught up with Amy as she was applying to MFA Directing programs, and here’s what she had to say:

1. What skills did you pick up that most helped you professionally?

Remembering to breathe! This is a skill that can be used in any profession or stressful situation, but it was really wonderful to be shown so many ways to get connected to our breath.

The professor who taught us voice (not singing) shared with us plenty of stretches, warm ups, and ways to get our voices connected to the text. We learned new ways to breathe and were also heavily reminded to keep breathing while onstage. There is so much that can really come alive onstage when you are fully connected to your breath.

2. What is your fondest memory from RADA? 

  1. One of my fondest memories from RADA was watching the other members of my class visibly grow in their skill-set as the course continued. We learned so much in a short amount of time, and it was beautiful to see those changes come alive when we were asked to redo our monologue at the end of the week that we originally did on the first day.
  2. There was a time when the entire class went out to a pub after class to get to know each other and have a good time. We were all talking about practicing lines and working hard and it was great to be in a space where everyone was there for the same purpose and really enjoyed what they were doing in the program.
  3. Every day, Tim would sit us down during rehearsal and just talk to us. Tell us about theatre, share stories of his past with us, and teach us these beautiful overarching lessons through one story. I really enjoyed when he shared his wisdom with us, and it reminded me of how although we live in different countries and focus on specific disciplines, all of my fellow students and professors are part of this larger lovely community of theatre artists who just love making art and that really excites me.

3. What impressed you the most about the program?

The level of training we received was nearly equivalent to master’s level in the United States, in my opinion, which was fantastic! All of the professors treated us as professional artists. We were given high expectations and expected to follow them and that was it. I loved that we were actually pushed to challenge ourselves and learned so much along the way.

4. What advice would you give to someone going on the program this summer?

Arrive earlier or stay later if you can so you can really explore London, the theatres, etc. If you can, save up or fundraise extra money so you can make a longer trip out of the program. You’re going to London, why not take a train to Scotland? Or stay a few more days in London just to explore?

I would also highly recommend getting most of your food from the grocery store instead of eating out or PRET-A-MANAGER, which can be much more expensive and not necessarily as healthy. There are so many grocery stores on almost every block in London, so it is easy to find a Sainsbury’s, where you can get a 3-5 pound meal deal, which means you pay about 3-5 pounds for a full lunch. This is a great option for RADA lunches, is much cheaper, and actually quite healthy as they use all natural ingredients and have healthier options in London compared to America.

I would also recommend carrying cash instead of using a card as there are transaction fees every time you use your card. Take money out in waves with your debit card if you need to, and then just use cash. It’s so much easier and doesn’t cost you more.

Try out a few of the local pubs! Alcohol actually tastes much better in London, is much cheaper, and there are so many more options! Also, the bartenders actually let you try something before you buy it, so try something new!

Theatre is much cheaper in London and every West End theatre has rush or lottery tickets, so try for those! They are the cheapest tickets and also the best (usually front row)! Don’t forget about the other off-West End theatres in London. I’d recommend the Almeida Theatre, but ask your professors! They know the area, they might even be working on a show, and they can let you know what shows are open and good to see! So bring extra money for tickets! Be sure to see any ‘Broadway’ shows you want to see as well because – you guessed it – they are actually cheaper in London.

Be sure to check out the local museums – I recommend the Victoria & Albert museum, but look up when you are walking around or taking the tube because you will see posters everywhere telling you what exhibits are currently out, etc.

Also, take the Tube! You have an Oystercard for a majority of the program, but there are some days that aren’t covered, and if you arrive early / stay late for the trip, you can order a visitor’s Oystercard online ahead of time for a lower cost. If you can get day passes instead of individual rates it’s great because you can take the Tube/buses as much as you want whenever you want and not have to worry. Use the Tube! Yes, you can walk everywhere, but you will get a lot more done if you use the Tube to explore all the areas of London. Don’t be afraid! You will make it, and you will feel so much better once you get a hang of the system – and then you will ask why every country doesn’t have this much accessibility.

An Important Statement from our Executive Director

by Reynolds Whalen
Performing Arts Abroad Founder and Executive Director
January 30th, 2017

At Performing Arts Abroad, we promote cross-cultural understanding, embrace diversity, and encourage inclusiveness. We live at the intersection of two professional fields—international education and the performing arts—that exist for these very purposes.

We understand the need for a visa system that prevents those with malicious intent from entering our country. Part of our job is to make international travel as safe and meaningful as possible, and we support further development of processes designed with this intent.

However, the recent executive order to bar refugees and other citizens of specific nations from entering the United States stands in direct opposition to our mission of creating a more understanding world through artistic cross-cultural collaboration. It threatens the well-being of artists we know in our community and a number of PAA participants and their families.

This order further intensifies xenophobia and distrust of people based on their culture, religion, and appearance, and we adamantly oppose it. We urge the current administration to lift the ban immediately, and we encourage our colleagues and fellow artists to join us in doing the same.

If you are a student reading this who is concerned about your immigration status and how these policies may affect you or your family, I encourage you to read this excellent resource from the Office of International Services at Indiana University who is setting a great example in our field.

Now more than ever we encourage you to explore the world, push yourself out of your comfort zone, reach out to those different from yourself, and form relationships that challenge you to be a more compassionate person. Our society needs informed artists to boldly proclaim truth and stand up to oppression, and it needs it now. This is your moment to speak up.

PAA Music Volunteer Sarah Pinto embraces one of her students in Costa Rica

London Theatre Profile: Young Vic Theatre

Christine Stein is a PAA Arts Administration Intern in London. For her internship capstone project she’ll profiling a different London theatre every month from September to January. Stay tuned for more from Christine soon!

Young Vic Theatre

Five Fun Facts:

  1. The Young Vic theatre takes pride in how open and accepting they are. They are big supporters of the LGBTQ community, which is shown by the large rainbow flag they hang outside their doors. They believe that their secret to success is to support everyone, and be welcome to all. Pretty good motto if you ask me!

via GIPHY

  1. No matter what your price point, you can go see a show! The Young Vic gives away 10% of their tickets in order to allow people who normally cannot afford theatre tickets to go see shows. They also offer a variety of ticket prices for students and kids. They want to make sure they share their art with as many people as possible.

  1. They play a big part in arts education for London. They encourage all local schools to come and see shows in their theatre, no matter what the age of the kids. Not many of the surrounding theatres are as great about providing options for arts education in the area.

  2. They have a wonderful café right inside the lobby! It serves as a great meeting place for a casual cup of coffee, or to enjoy some lunch. (I highly recommend their croissants!)

  1. They have an awesome green sustainability program, which you can tell immediately from walking into the building. They were awarded 3 stars by Julie’s Bicycle, a local sustainability charity, which is the highest score you can get! They encourage everyone to help create a better environment, and definitely do their part to make that happen!

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Brief History:

The Young Vic theatre was originally supposed to be an “offshoot” of the Old Vic theatre, which is right across the street. Laurence Olivier said that there should be a theatre to develop plays for young audiences, and then the Young Vic was born. It was built on an old bomb-site from World War II. Since its beginning over 30 years ago, the Young Vic has been on a steady stream of producing wonderful theatre that can be available to all. To find out more about the Young Vic, visit their website: http://www.youngvic.org/

Coming next:

The Space Arts Centre

The New Alternative Sound From Italy

Elizabeth Willis is a student at West Texas A&M University.  She has participated in multiple PAA programs, including the Music Industry Internship with Indie Rock Band in Rome, where she interned for Kutso.

Remember when we all use to wig out over some wicked good artists like Weezer, The White Stripes, Red Hot Chili Peppers, Green Day, The Smashing Pumpkins, Pearl Jam and Nirvana? I do and to be honest I still listen to them. These bands all had something in common at the peak of their popularity, they weren’t afraid to go against the status quo and sing about how they really felt. The goal was to give listeners something that was different and usually made a statement. For years this has been one of my favorite genres of music to explore and I’m here to introduce you to a new sound that you might enjoy with alternative releases being put on the back burner. Kutso, is an Italian Indie band that was founded in 2006 by front man Matteo Gabbianelli. Other members of the band include Donatello Giorgi on guitar and vocals, Luca Amendola on bass and vocals, and Simone Bravi on drums. The band released their first official album “Decadendo (su un materasso)”, Decaying on a dying mattress in 2013 at Circolo Degli in Rome. The hit single “Alè” remained in the top 10 of Indie Music Like for more than 4 weeks gaining mass popularity. Over the past two years, Kutso has scheduled more than 200 performances across Italy and has won numerous awards at multiple music festivals. In February 2015, they released their second album “Musica per persone sensibili” which included three hit songs “Elisa”, “Io Rosico”, and “Spray Nasale.”

Kutso has such a unique sound and even more of a unique persona. They are able to bring an audience to life with the combination of vocal range, excitement and much more. If you watch some of the band’s music videos, or even better, watch them live, you will see how energetic and explosive they are! I encourage all of my fellow alternative and indie rock lovers to check them out online and if you’re in the same city, live! Below I have listed a link to some of my personal favorites, I hope you enjoy.

London Theatre Profile: Theatre Royal, Drury Lane

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Christine Stein is a PAA Arts Administration Intern in London. For her internship capstone project she’ll profiling a different London theatre every month from September to January. Stay tuned for more from Christine soon!

Theatre Royal, Drury Laneauditorium-from-the-royal-box

Five Fun Facts:

  1. The current building on the site of the Theatre Roya, Drury Lane is the fourth building to be put there! All of the same name, same location, same idea, but they kept burning down and needed to be rebuilt. Each one was more grand than the previous one! Why did they catch fireyou ask?? Well…giphy-copy2. No, it wasn’t from a fire breathing dragon. It was because of the lack of safety curtains! Back before everything had electricity and light bulbs, they relied on candles to light the stage fromthe front. Now if someone were to tip one of those over and the stage caught fire, you would normally bring down the safety curtain to save everybody, right? WELL, because these fires happened so rarely, the safety curtains rusted shut and were not able to be used! That is why at every West End production you see, they will always pull down the safety curtain at the interval. Just to make sure it won’t malfunction…output_mjaho43. The theatre is DEFINITELY haunted. On the backstage tour they offer (which I highly recommend!!), they explain all about how there are ghosts everywhere in the theatre. One of the ghosts was an old cast member who never forgot anyone’s lines. If an actor ever forgot his lines, this cast member would tap them on the shoulder from behind and whisper them into his ear. One day, that cast member was on stage, and he forgot a line. He apologized to the audience, announced his resignation immediately, and was never seen again. To this day, when someone forgets a line, they often feel a little tap on their shoulder, and they instantly remember their line, but when they turn around, there’s nobody there…

output_x8jqku4. Ever wonder why everyone things that theatre stars and movie stars are, well, stars? You can thank David Garrick for that. He ran the theatre for many years, and he changed the view of actors in the public eye. They were always seen as common workers just as everyone else was, but he made sure that they were seen as much more than that. You can also thank him for giving women the ability to be in theatre! Men always played the roles of female parts, but Garrick knew it was time for women to shine in the theatre! The only exception to his rule was for the ever so fun Pantomime Theatre (when a man dresses as a woman for comedic effect).giphy-3

  1. During the shift between Shrek The Musical and the new Charlie and the Chocolate Factory, Sir Andrew Lloyd Weber donated millions of dollars, of his own money, simply to renovate the theatre back to its original state. He knew that the theatre was originally beautiful, and he wanted to restore it back to how it should have been many years ago. Talk about a dedicated artist!

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Brief History:

The First Theatre Royal opened in 1663, but the current standing building was built in 1812. The Theatre Royal has been home to many important historic events, such as the first performance of the National Anthem. The theatre has been a staple in London’s West End for so long, and continues to always put on amazing performances. If you would like to find out more information about the Theatre Royal, Drury Lane, visit the Really Useful Group’s website:

http://www.reallyusefultheatres.co.uk/our-theatres/theatre- royal

Coming next:

St. Martins Theatre